Introducing Ladd & Lass Brewing

I have a confession. When I started this blog nearly six years ago I secretly hoped that one day I’d be able to use the knowledge gained authoring this blog, developing new recipes, and honing my brewing techniques to go pro and open a brewery of my own. So it is with incredible excitement (and a healthy dose of anxiety) that I am announcing that my wife, Jessie, and I are opening Ladd & Lass Brewing.

Ladd & Lass will be a small, community-driven brewery located somewhere in the Puget Sound region of Washington. We’ll be focusing on brewing world-class beers, diverse in style and technique. From impeccable examples of classic styles to boundary-pushing funky and wood-aged beers to hop-driven flavor bombs and sessionable lagers, we aim to exceed the highest standards of quality with our line-up—not dissimilar from the types of beers I’ve been writing about on this blog.

We’ll be serving most of our beer via a hyper-local taproom that caters to the surrounding community and offers a world-class environment focused on the joyful consumption of our beers. Ladd & Lass will be a true partnership with Jessie managing most of the design and public-facing aspects of the business while I man the brewhouse. We will be a diverse brewery made up of people with unique backgrounds and talents. Diversity and inclusion will be celebrated and directly influence the type of business we hope to create.

I have loved my hobbyist homebrew pursuits and the amazing people I’ve met along the way. The ethos and celebration of experimentation so prevalent in the homebrew world will continue to inform our professional brewing pursuits. We will continue to celebrate the amazing homebrew community and hope to support homebrewers to the greatest extent possible, only now from the pro side. One of the greatest things about homebrewing is the ability to share beer and knowledge within the community; I am extremely excited to continue doing this, only now on a larger scale.

I’ll continue to post occasionally on The Pour Report, but for the most active updates, please check out, where we’ll be documenting the highs and lows (and the inherent excitement) of opening a new brewery. We can’t wait to bring our style of brewing to the craft beer world and hope to be open in mid-2019.

In the meantime, we’re busy packing our bags and getting ready to head home to the Pacific Northwest. We’re taking a protracted road trip home through the American South—researching the best breweries along the way—and invite you to join us on Instagram (@laddandlass).

Co-Opting Craft Beer

Lately, it’s been pretty hard to ignore the acquisitions of an increasing number of beloved craft breweries by Big Beer (i.e. AB InBev, Heineken, Kirin, Constellation Brands, and San Miguel Corporation) and Big Equity (e.g. Firemen Capital, LNK Partners, etc.). I’ve been following this topic pretty closely for the last few years, but have avoided writing about it mainly because:

  1. The purchases felt like minor losses, especially when there are still so many awesome independent craft breweries to choose from.
  2. Frankly, there are more important things to be angry about.
  3. Being a middle-of-the-road kind of guy, I try to see (and appreciate) all sides of the coin.

That said, with the frequency and magnitude of acquisitions now occurring, I decided it was finally time to throw in my two cents. The writing has been on the wall ever since Goose Island sold to Anheuser-Busch in 2011, but the recent purchase of Wicked Weed seems to have stirred a bit more public awareness and perhaps even revolt, especially within the craft beer community. Unfortunately, the convoluted nature of brand ownership in the beer world makes it difficult for the average beer consumer to decipher exactly what they are purchasing and to whom their money is going. This confusion is precisely what Big Beer is looking to exploit—and why spreading the message of why craft beer consolidation matters is imperative.

AB InBev, with the acquisition of more than 10 craft breweries so far, has been the most active buyer. This is particularly troubling as AB InBev already controls nearly 45% of the beer market, owns much of the distribution infrastructure in the country, and recently purchased SAB Miller, further growing their dominance. The fact of the matter is that the broader beer category is hemorrhaging market share to wine and spirits, especially within the millenial demographic. This shift in taste has further exacerbated for Big Beer the fact that the minuscule market share that craft once represented has grown to over 12% by volume and now represents a tangible threat. They are desperate to turn things around and are spending substantial resources to reclaim the market share that has been lost to craft beer.

AB InBev is not just simply purchasing craft brewers. They are launching a strategic, multi-pronged assault that includes ZX Ventures, a “global disruptive growth firm”, and “The High End”, a division focused specifically on the craft segment. Beyond acquiring actual breweries, they have also created or purchased interest in media outlets, obscuring the lines between advertising and independent beer journalism. Websites such as The Beer Necessities, October, and Ratebeer, which are either owned (partially or completely) or funded by AB InBev, work to further AB InBev’s agenda by eroding the once obvious divide between craft and Big Beer. To quote the editor of The Beer Necessities, Ethan Fixell:

Throughout the years I’ve observed the massive shift in the marketplace: from a monochrome array of limited options, to an explosive availability of craft selections, eventually leading to a wide schism between “craft” and “macro.” Now, given the growth and merging of so many breweries big and small, and the naturally collaborative, collegial nature of all brewers, we seem to be living in a post-craft world: great beer is great beer. And I believe we should celebrate all of it.

AB InBev drove the creation of the “monochrome array of limited options” that Fixell laments. The wide schism between “craft” and “micro” that he cites hurts only Big Beer and is a reaction against the way they do business. AB InBev is trying to create the illusion of choice in the beer aisle, but when the wizard’s curtain is pulled back, all that is found is varying shades of AB InBev red and gold. To simply say that “great beer is great beer” is an overly simplistic approach to a highly nuanced subject. AB InBev is seeking a post-craft world. Let’s not let them have it.

It’s time to defend craft beer.

Why am I so angry?

Over the past few years, I’ve played around with the idea of opening a brewery. As this effort becomes more focused, I’ve been studying the strategy and mechanics of why and how craft beer has been able to go through such tremendous growth over the past decade. Specifically, I’ve been delving into branding strategy as it relates to starting and running a successful craft brewery.

What has become incredibly clear is that these recent acquisitions are a strategic assault on the craft beer identity. There is tremendous equity in the brand identity of being a craft brewer and the types of mental short cuts this identity provides the consumer. The biggest differentiators that craft breweries have over Big Beer are that they are typically small-scale business offering products with better ingredients and flavor, usually from a  local source. Big Beer is intent on taking on these same attributes, blurring the lines of what it means to be craft and eroding the very roots of the industry. If these boundaries are allowed to dissolve and lose meaning a key advantage that craft has over macro will be lost.

I’m also angry because Big Beer is trying to pull the wool over the consumer’s eyes. And they think we’re dumb enough to fall for it. They want us to believe that the source of the product has no meaning as long as the beer doesn’t change. They’re being deceptive in the sense that they are creating levels of separation from their core company via subsidiaries and utilizing unclear labeling that prevents consumers from being able to decipher the provenance of their beer. None of the websites of AB InBev’s acquisitions describe their true ownership on their ‘About’ or ‘History’ pages. Most people have no idea that when they buy a Goose Island, Elysian, Blue Point, or Golden Road beer, they’re actually buying an AB InBev product. Consumers deserve to have more transparency so they can make informed decisions.

At the same time, Big Beer is diluting the true value of craft. If you are AB InBev, it is a buyer’s market as they are the only company around that is big enough to make these types of purchases. Big Beer is auditing the heavily populated craft beer landscape and acquiring breweries to fill the gaps in their already expansive portfolios. At first glance, it seems breweries are selling out for huge amounts of money. In reality, however, these sums are minuscule compared to the true value an established brand provides to a company like AB InBev.

It is also important to recognize that macro brewers do not play on the same field as craft brewers. A massive percentage of beer distributors in this country are affiliated or owned by Big Beer. This puts real craft breweries represented by the same distributors at a massive disadvantage, forcing them to compete directly with craft-like brands that are now owned by both the distributor and brewery. With the addition of heavily publicized incentive programs, it becomes very difficult for real craft brands to gain any sort of distribution, especially in the high volume grocery and restaurant chains served by these distributors. Ultimately, this will limit the consumers shopping at mainstream outlets to macro beers or craft brands owned by Big Beer. This threat will be particularly tough on established regional craft breweries that in recent years saw significant growth in chain restaurants and grocery stores. According to the Brewers Association, this is already being seen, with 15 of the largest 25 craft breweries dropping production volumes in 2016 versus 2015.

Lastly, it is important to consider the dynamics associated with the pricing of beer. Craft-like brands owned by Big Beer will always be the cheapest option on the shelf. There is simply no way a craft brewery producing low volumes could ever compete on price with a brewery producing millions of barrels annually. Economies of scale in terms of ingredients play a big role, but more important are the costs of labor associated with production. The labor required to produce a set volume of beer within a small craft brewery is exponentially more than what is required in a large-scale macrobrewery. This unfortunately leads to a higher cost for the beer consumer if they what to purchase from an independent small craft brewery. This disparity in labor is the key driver of growth in brewery jobs, often extolled as one of the great positives of craft beer. Bargain priced craft-like options will be attractive to many consumers, especially those that don’t know what they’re buying. This will result in the failure of many craft breweries attempting to compete within these same outlets.

But what about the reasons given by the acquired craft breweries?

When a former craft brewery sells out, there is a predictable blitz of spinning that occurs as the newly acquired brand scrambles to explain their reasoning and assure their loyal customer base that the brand they support isn’t going to change. The campaign is almost formulaic, hitting on all of the concerns that Big Beer perceives will be on the mind of their new customers.

First, they will always reassure their customer base that the beer is not changing. As a matter of fact, if anything, the beer will get better because of the tremendous technical resources now available to the brewery via the acquisition. This preys on the belief of many consumers that the only thing that matters is the beer in the glass. Yes, qualitatively, I’d wager to say that the beer does stay the same. But I also argue that the source of the beer is much more important than what happens to be in your glass at any given moment. The choices we make buying a given beer today will ultimately drive and determine the beer options we will have in the future.

Another common reassurance is that being owned by Big Beer will make them better stewards of their community. The resources inherent to Big Beer will make them better local citizens. I’ve yet to see proof of this type of Big Beer altruism, but would love to be proven wrong. The fact is that buying from small local businesses keeps the money, jobs, and altruistic endeavors that many of these breweries participate in local.

The most common justification for selling out is the perceived need for a huge capital infusion to fuel a brewery expansion. Yes, funding a massive brewery expansion in an efficient manner is extremely expensive and out of the means of all but the largest craft brewers. I’d, however, ask whether or not expansion needs to always be so swift and in such fell swoops. I’d wager that incremental growth is a perfectly healthy way to operate a craft brewery and that the need for quick expansion and massive growth has more to do with ownership’s personal ego than viability as a company.

Do I begrudge those that sell out?

On the surface, it seems difficult to begrudge a brewery that works hard, sells out, and is able to collect a windfall of capital. The fault seemingly lies solely with the purchaser who has made an offer that simply cannot be refused. The seller is simply grabbing the brass ring. This was an opinion I held until very recently when it occurred to me that selling out is not just about the business transaction. Selling out to Big Beer is a conscious decision that simultaneously devalues craft and violates the moral character upon which the community is built.

Every craft brewery that starts up builds their identity around that of being a ‘craft brewer’. This identity conjures up a very specific meaning in the mind of the consumer. It offers a mental shortcut to a plethora of valuable associations that directly affect a consumer’s purchase decisions. Craft means high quality, flavorful beer, independent, artfully crafted, local, small, anti-corporate,… There is tremendous value in the ability to use this imagery to build and grow a business. I would argue that taking on the identity of ‘craft brewer’ morally obligates you to act as a steward of the craft identity and the community from which it was born. Selling out to Big Beer is a fundamental betrayal to the craft community that directly contributes to the devaluation and confusion of the craft identity, threatening its very existence.

On the other side of the coin, it’s hard to fault the Big Beer companies. They are simply doing what they’ve always done. They are large, faceless corporations and are behaving as such. They are facing declining market share in a segment that is already contracting and reacting in an appropriate manner. They are not morally obligated to the protection of the craft identity the same way craft brewers are.

The recent purchase of Wicked Weed brought to the forefront these types of ethical and value questions facing the craft community. Public statements from Jester King and The Rare Barrel helped renew some of my personal faith that craft holds itself to a higher standard than Big Beer.

With that said, we have some core principles that define who we are as a brewery, and those principles must not be compromised. One of our core principles is that we do not sell beer from AB In-Bev or its affiliates. We’ve chosen this stance, not because of the quality of the beer, but because a portion of the money made off of selling it is used to oppose the interests of craft brewers. In Texas, large brewers (and their distributors) routinely oppose law changes that would help small, independent brewers. We choose not to support these large brewers because of their political stances, and in some cases, their economic practices as well.
– Jester King’s (Blog)

It’s about values.

Yesterday, Wicked Weed announced that they are selling their brewery to the megabrewery AB InBev (Budweiser, Shock Top). Here at The Rare Barrel, we’ve made a decision not to serve, collaborate with, or affiliate with AB InBev because our values do not align with theirs.
– The Rare Barrel (Via Instagram)

What does the future hold?

A key brand identity attribute that makes craft beer attractive to many consumers is the fact that it is produced locally. This is an important factor for many consumers and an attribute I foresee the new craft-like Big Beer brands having a tough time owning. In order to develop this dimension, Big Beer will use their immense financial resources to open up local outposts of the craft brands they own, often in the form of local taprooms or brewpubs. These new establishments can be loss leaders for Big Beer as they provide broader value by reinforcing the local dimension of their brand’s identity. At the same time, they will poach business from local craft breweries that often rely on high-margin taprooms for their viability.

As Big Beer fills out their portfolio of brands to include every fathomable beer style, we’ll likely see less and less non-Big Beer craft brands being sold in large volume stores, restaurants, bars, and entertainment venues. For these establishments, beer buying is a chore now simplified as they can go to a single distributor to purchase the roster of beer styles they’ll be needing.

What Can We do About it?

The pessimist in me, says there is very little we can do to prevent Big Beer from stunting the growth of independent craft beer. The resources Big Beer has at their disposal are simply too great to overcome. It’s not that people don’t care, it’s that the majority of consumers simply aren’t able to tell the difference between a craft-like brand owned by Big Beer and a truly independent craft beer. If you’re reading this blog, you’re like me, a niche within a niche that unfortunately has a pretty small collective voice. What we do have is a lot of friends outside of our niche to whom we can share the story of the David and Goliath struggle that is craft beer and why it should matter to them. We must effectively and politely communicate not only the truth about where the money from craft-like purchases are going, but also the effect it has on the broader craft market and our local communities. The more people we can educate, the bigger the impact we’ll have on purchase decisions and Big Beer’s bottom line. The only way to turn the tide is to make Big Beer’s current efforts an overwhelmingly failed experiment.

Craft-Like Brands Owned in Part or Full by Big Beer

Below we’ve outlined the breweries that we know of who have sold their companies in full or partially to other larger brewing companies. Please note that I’ve made this list as comprehensive as possible. Please let me know of any errors or omissions and I will update.

10 Barrel BrewingAB InBev2014New brewpub locations since acquisition: Boise, Denver, Portland, San Diego
Bass AB InBev
Blue Point Brewing AB InBev2014
Breckenridge Brewery AB InBev2015
Devils Backbone Brewing AB InBev2016
Elysian BrewingAB InBev2015
Four Peaks BrewingAB InBev2015
FranziskanerAB InBev
Golden Road Brewing AB InBev2016Opening additional outposts in Sacramento and Oakland.
Goose Island Beer CompanyAB InBev2011
HoegaardenAB InBev
LeffeAB InBev
Shock Top Brewing AB InBevCraft-like Brand Developed In House
SpatenAB InBev
Wicked Weed BrewingAB InBev2017
21st Amendment BreweryBrooklyn Brewery / Kirin Holdings2017Brooklyn Brewery has a minority investment in 21st Amendment.
FunkwerksBrooklyn Brewery / Kirin Holdings2017Brooklyn Brewery has a minority investment in Funkwerks.
Dundee BrewingCervecerίa Costa RicaIn 2012 North American Breweries sold to CCR by private equity firm KPS Capital Partners.
Genesee Brewing CompanyCervecerίa Costa RicaIn 2012 North American Breweries sold to CCR by private equity firm KPS Capital Partners.
Magic HatCervecerίa Costa RicaIn 2012 North American Breweries sold to CCR by private equity firm KPS Capital Partners.
PyramidCervecerίa Costa RicaIn 2012 North American Breweries sold to CCR by private equity firm KPS Capital Partners.
Ballast PointConstellation Brands2015Rumored to have sold for more that 1 billion dollars.
Kona Brewing CompanyCraft Brew Alliance 32% owned by AB InBev.
Omission BeerCraft Brew Alliance32% owned by AB InBev.
Redhook BreweryCraft Brew Alliance32% owned by AB InBev.
Widmer BreweryCraft Brew Alliance32% owned by AB InBev.
Wynwood BrewingCraft Brew Alliance201632% owned by AB InBev. CBA has a 24.5% ownership stake.
Boulevard Brewing CompanyDuvel Moortgat Brewery2014
Brewery OmmegangDuvel Moortgat Brewery2013
Firestone Walker Brewing CompanyDuvel Moortgat Brewery2015
Lagunitas BrewingHeineken International2015-201750% stake in 2015, 100% in 2017. Have begun opening a number of satellite breweries.
Brooklyn BreweryKirin Holdings2016Kirin has a 24.5% ownership stake. Kirin also has a sales partnership with AB InBev in the U.S. related to the distribution of Kirin Ichiban.
Independence Brewing CompanyLagunitas U.S. Holdings2016Undisclosed ownership stake.
Moonlight Brewing Co.Lagunitas U.S. Holdings2016Undisclosed ownership stake.
Southend Brewery and SmokehouseLagunitas U.S. Holdings2016Undisclosed ownership stake.
Short's Brewing CompanyLagunitas U.S. Holdings201719.99% ownership stake.
Founders BrewingMahou-San Miguel201430% ownership stake.
Avery Brewing CompanyMahou-San Miguel201730% ownership stake.
Blue Moon BrewingMillerCoors-Craft-like Brand Developed In House
Hop Valley Brewing MillerCoors2016
Leinenkugel's BreweryMillerCoors1988
Revolver Brewing MillerCoors2016
Saint Archer BrewingMillerCoors2015
Terrapin Beer CompanyMillerCoors2016
Anchor Brewing CompanySapporro2017

Craft Brands Owned in Part or Full by Private Equity

Below we’ve outlined the breweries that we know of who have sold their companies in full or partially to private equity firms. Please note that I’ve made this list as comprehensive as possible. Please let me know of any errors or omissions and I will update.

Southern TierArtisanal Brewing Ventures2016Victory and Southern Tier joined to form Artisanal Brewing Ventures (ABV), a private-equity backed holding company.
Victory BrewingArtisanal Brewing Ventures2016Victory and Southern Tier joined to form Artisanal Brewing Ventures (ABV), a private-equity backed holding company.
Full Sail Brewing CompanyEncore Consumer Capital2015
Abita Brewing CompanyEnjoy Beer LLC2015
Cigar CityFireman Capital Partners2016Undisclosed majority share.
Oskar BluesFireman Capital Partners2015Undisclosed majority share.
Squatters / WasatchFireman Capital Partners2012Undisclosed majority share.
Dogfish HeadLNK Partners201515% Ownership Stake
Uinta Brewing CompanyRiverside Company2014
BrewDogTSG Consumer Partners201722% Ownership Stake

Other Entities with ties to Big Beer

Northern Brewer / Midwest Supplies
In 2016, AB InBev via their ‘Disruptive Growth’ investment group ZX Ventures purchased one of the largest homebrew suppliers in the country. It is perplexing what interest AB InBev has in the homebrew market. My suspicion is that they are mining data. Homebrewers tend to be on the leading edge of trends in beer and Northern Brewer is able to provide deep pools of this data type.

Rate Beer
In 2017, it came out that AB InBev’s ZX Ventures had purchased a minority share in Rate Beer. Since this news has come out, several breweries including Dogfish Head and Black Project have requested removal from the ratings site.

The Beer Necessities
TBN is produced by ‘The High End’ division of AB InBev and produces craft beer centric articles and other content.

October is an online magazine ‘supported’ by AB InBev’s ZX Ventures and led by Conde Nest, Good Beer Hunting, and BeerGraphs.

Vice: Beerland
A TV show featuring homebrewers across the country seems pretty cool, right? It gets a little fishy when you consider it is hosted by Meg Gill, formerly of Golden Road, now AB InBev. The show has been promoted by The Beer Necessities, which discloses the fact that the show was produced as a partnership between AB InBev’s The High End and Vice Media.

A Trip to the South’s Craft Beer Capital

New Belgium Brewery Outdoor Deck

Enjoying drinks on an outdoor deck overlooking the French Broad River? Not a bad way to spend a beautiful spring day.

The hot break on the simmering kettle of craft beer is reaching a fevered pitch and damn near cresting the kettle’s edge. Ten years ago, very few people would have predicted the growth that the craft beer world has experienced— reaching nearly 13% market share with a population of more than 4,000 breweries. The phenomenal growth has resulted in several craft beer capitals scattered throughout the western part of the country—the usual suspects being Denver, Portland, San Francisco, and San Diego. But out on the other side of the country, it’s Asheville, NC, that is holding court as the regional craft beer capital.

While it may have been difficult to anticipate the borderline absurd growth of the craft beer segment (and predict where it’s headed), certain municipalities saw the writing on the wall and positioned themselves to capitalize on the growth. It’s not by chance that Asheville finds itself on the beer pedestal that it currently sits. With progressive policies and economic incentives in place, large, corporate breweries looking for easterly expansion and more efficient distribution naturally gravitated to this region of western North Carolina. A local population already inclined to support the arts set the stage for robust brewery development—bringing in new jobs, tax revenue, and tourism to stoke the flames of the local economy. In a post-industrial America, breweries in Asheville are serving as a new model of manufacturing that can be economically viable and provide additional layers of resiliency to the economic landscape.

This past spring, we (myself, the Homebrew Wife, and the pugs) loaded up the car and spent a few whirlwind days touring around Asheville. The road trip—complete with crazy holiday traffic (e.g. sitting on Staten Island for two hours) and spectacular thunderstorms—made for a challenging drive, but the rewards that awaited us were well worth the effort.

The Breweries

Asheville has a rich craft brewing community, from reliable veterans like Green Man and Highland who have been at it since the 90’s to relatively new start-ups like Wicked Weed and Burial who are generating most of the hype among the hordes of beer geeks. And at a whole different level are the pioneers of craft beer, New Belgium, Sierra Nevada, and Oskar Blues, who have all set up shop with impressive breweries in or near Asheville. While in town, we were able to make our way to a number of these breweries.

As previously mentioned, my day job has recently (and fantastically) collided with my beer fandom as I find myself a part of the design team working on a couple of new projects for Brooklyn Brewery. My awesome clients at Brooklyn Brewery were able to arrange private, behind-the-scenes tours for my wife and me at both New Belgium and Sierra Nevada. The craft beer industry has always prided itself on its comradery and willingness to share information; it was nice to both witness and experience that philosophy firsthand.

New Belgium

New Belgium rolled out the welcome carpet for us, giving us an unbelievably detailed tour of their brewery (still closed to the public at the time of our visit), packaging line, and offices. We were absolutely blown away. The brewery is located on an old industrial site in the River Arts District overlooking the French Broad River. New Belgium meticulously restored the site, turning what was once an environmental liability into a public amenity. The tasting room, which includes an impressive deck that overlooks the river, seamlessly blends indoor and outdoor spaces. Perched in the landscape above the tasting room is the main production brewery, offices, and warehouses. The architecture itself, for the most part, was rigorous and beautiful with an expressive structure, handsome detailing, and warm, pleasing finishes.

Sierra Nevada

Located about 30 minutes outside Asheville proper in Mills River, Sierra Nevada has built a 200-acre bucolically landscaped campus. While here, it quickly becomes obvious that no expense or idea, no matter how outlandish, was edited from the project program. This brewery has every trick in the book. From a copper-clad pilot plant that literally outshines almost every brewery I’ve ever visited to the actual antique copper-clad production brewery complete with molten basalt tiles, viewing mezzanines, and beautiful wood ceiling fabricated from timbers felled on the site during construction, this brewery has it all. At times, the design felt a bit obtuse and in desperate need of an editor (e.g. copper air ducts), but it was really fun to see what is possible when the sky is the limit. The brewery is in many ways analogous to the Biltmore Estate, the other local landmark of indulgent luxury. Built over a hundred years apart, both compounds feature extravagant materials, lush grounds, and cinematic approaches to the main building. The strongest element of the Sierra campus was the brewery’s “backyard,” which features great drinking patios, gardens, and opportunities for casual recreation, ranging from corn hole to live music.

Wicked Weed

Perhaps the most hyped brewery in North Carolina (and maybe even the South), Wicked Weed is the reigning king of hops and funk in Asheville. We toured their sour beer, barrel-centric Funkatorium and enjoyed a delicious dinner at the brew pub. The beers at both locations were solid, above average beers, but, with all of the hype surrounding the Wicked Weed name, I was hoping to be absolutely blown away. Although the beer was not mind-blowing, both locations had a great vibe and should be a part of any Asheville brewery tour.

Burial Beer Co.

Admittedly, I had never heard of Burial prior to arriving in Asheville. We ended up there after very enthusiastic recommendations from our hosts at both New Belgium and Sierra Nevada. The brewery is currently housed in a warehouse space, but there are plans in the works for a second location. The vibe was cool and the side yard provided a comfortable spot for drinking. The beers themselves were outstanding—easily the highlight of the trip, in terms of pure beer enjoyment. Styles veered towards the hoppy and funky, but all were approachable and balanced. I left with the feeling that I had discovered a local favorite—something that I imagine will likely blow up in the near future, if it hasn’t already.

Green Man Brewery

Green Man

The Homebrew Wife was a fan of the Meddler Berliner Weisse.

We had a couple beers in the dusty outdoor space of Dirty Jack’s, Green Man Brewery’s original tap room (just up the street from Greenmansion, the brewery’s shiny new 20,000 SF expansion). Again, the vibe here was great, laid back, and unpretentious. The beers were also awesome. I was jonesing for a simple session beer, and their Sunseeker Pils hit the spot.

Although beer was our main objective while in Asheville, the city has a ton to offer in terms of entertainment and exploration. Some of the highlights include a vibrant downtown, the surrounding Blue Ridge Mountains, and the Biltmore Estate—an icon of the Gilded Age. Our time in Asheville was short, but we had a great time and plenty of amazing memories.